Priscila’s practice exists at the intersection of art, nature, and space. Her work begins with deep observation and attentive listening to the surrounding environment, embracing the idea that every surface, wall, and textile holds a latent energy. Through her interventions, she seeks to reveal this inner life, translating into material form what typically remains unseen.

Rather than representing, her murals and compositions aim to reactivate the soul of a place. Through color, gesture, and rhythm, she creates atmospheres that bring balance to the human, the natural, and the built environment. Her work carries a ritualistic and healing quality, offering a quiet presence that transforms the experience of space into something intimate and deeply felt.

With a background in architecture, Priscila understands spaces as living organisms that hold memory, history, and vibration. This perspective extends into her textile practice, where she creates one-of-a-kind pieces that bring art into everyday life. In these works, the table becomes a place of gathering and contemplation, where art naturally inhabits daily rituals.

Through an organic aesthetic and meticulous attention to gesture, her work explores the tension between the ephemeral and the enduring, between silence and form. In Priscila’s universe, art becomes a way of restoring breath to spaces, reconnecting matter with emotion.

Her murals and textile works can be found throughout Mexico and abroad, inhabiting homes, hotels, and spaces that seek to preserve a living relationship between art and their surroundings. Among her most notable commissions are murals created for Conrad Litibú, Four Seasons Los Cabos, and Hotel Samas in La Saladita, as well as works in private residences and restaurants in the United States, including Elephante Scottsdale. In each of these spaces, González Urrea’s work serves as a bridge between nature, architecture, and everyday life.